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decade later. The Pop Group fell apart in 1981 but the more or less original line up have returned to take care of unfinished business, picking up where they left off and sounding like they haven't aged a day. That's what being ahead of the curve does for you. Citizen Zombie exists to be Womens Adidas Gazelle Og Iii Trainers Pink played loud and liberating. Stewart spits his impressionistic imagery over the title track with a strangulated ire, while his bandmates Gareth Sager, Dan Catsis and Bruce Smith splatter wah wah guitar, woozy loops and what sounds like nails being scratched down a violin onto an off kilter dubby canvas.
Test Card RecordingsLondon duo Public Service Broadcasting stick with the programme on this themed follow up to their successful debut album Inform Educate Entertain, Adidas Gazelle Og Grey And Pink
He has cutting spoken words for western society on the polemical Nations, riffing on Renton's "choose life" monologue from Trainspotting over a tinny drum machine and spiky guitar improv, and battles electro funk paranoia on Box 9. But it's not all bug eyed discourse and dread incantation these middle aged blokes like to shake a leg on occasion. the latter with a brief, sinewy funk bass solo and the funk lurch of St Outrageous, punctuated with lean, squealing guitar and quaking analogue synths, recall the early chaotic yet controlled utterances of The Happy Mondays. The Pop Group are generally a tightly coiled spring but they loosen their grip towards the end of the album with the relatively mellifluous Afrobeat/dub/house concoction of Age Of Miracles, before bowing out on Echelon, their idea of a torch song, with creepy, sonorous piano, pizzicato strings, martial drums and ominous keyboards which will have you nervously looking over your shoulder as it fades into the horizon.
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composing atmospheric ambient soundtracks around vocal samples from archive news and film footage. The Race For Space charts the progress (and setbacks) of the competing American and Soviet space programmes through the 1960s, setting the original commentaries from astronauts, mission control and plummy voiced broadcasters against a mostly proggy electronica backdrop. London duo Cat's Eyes, comprising Horrors frontman Faris Badwan and composer/multi instrumentalist Rachel Zeffira, have created an ethereal, eerie and mysterious backdrop of haunting woodwind passages, resonating harpsichord, baroque strings and Zeffira's alluring cooing which recalls Julee Cruise and Angelo Badalamenti's work on Twin Peaks and the more glacial moments from the Italian giallo horror soundtracks of the 1970s. FIONA SHEPHERDAilie Robertson: Little LightsStar rating:Ailie Robertson consolidates her status as a well travelled harpist of considerable virtuosity and sensitivity with this album of traditional and contemporary material from Scotland, Ireland and French Canada, her crystalline playing complemented sparingly by Tim Edey on accordion and guitar.
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